This is not a period I currently do, but it's only a matter of time - I've been thinking of it for a while, admiring the work of others. Having the right shoes would certainly be a good start - or I might just go for the gift card and order a pair of Gettysburgs for the 1840's impression I'm currently working on.... tough choice.
Oh yeah, I would have to win first.... :)
Friday, 17 October 2014
Sunday, 5 October 2014
Baby’s Mid 19th Century Petticoat
For the HSF challenge
# 18 “Poetry in Motion” I didn’t have a poem suitable for the project I needed
to work on. So I cheated.
When planning this petticoat I tried to find pictures of extant baby petticoats. I found two that would work well; one dated 1800-20, and the other dated 1860. They were very similar in construction, so I felt ok using the same design for the one I was making.
The petticoat has a simple bodice, with drawstrings at neck and waist. They tie in the back, where a thread button helps in keeping the bodice closed. The skirt is gauged to the bodice, with tiny pleats.
The bottom of the skirt has a deep hem and two tucks.
What the item is: Baby petticoat.
The Challenge: #18 Poetry in Motion
The poem: Passages from Anne’s house of dreams.
Fabric: Cut down from an old shift and petticoat of mine, originally made from sturdy old cotton sheets.
Pattern: None; I improvised from picures of period petticoats.
Year: Aiming for the 1840’s, but could pass for several more decades.
Notions: Cotton thread, cotton tape, thread button made by me.
How historically accurate is it? As good as I could make it without looking at an extant example in person. The materials are ok, as is the hand stitching.
Hours to complete: Difficult to say, as I’ve only had a few minutes here and there… 8-10?
First worn: For the picture.
Total cost: None at this time as everything came from the stash. The materials might have cost 50 SEK ($6,94; £4,31; €5,49) if bought at the charity shop today, and would have plenty left for other projects.
When I thought of the
baby dress (and the petticoat that will go under it) my littlest one need for
the 1840’s event in November I couldn’t help thinking of Anne Shirley Blythe in
Anne’s House of Dreams: the horrid day when her wee daughter died, and
the happy one when her son was born. They both always make my cry. I also
thought of her reaction to her sons shortening, thinking that he grows up too
quickly. I imagine that, though the story is set 50 years later than what I’m
aiming at, those feelings might have been shared by many a mother in the 19th
century – I feel the same when my children have outgrown a size and all the
clothes are put away. One would think the sentimental Victorians would have written
one teensy poem about the shortening of baby’s dresses, or mentioning baby
dresses at all, but I came up with nothing….
The petticoat is worn
over a medieval shift – the difference isn’t that great,
and as I don’t
have time to make a baby shirt just for this one event….
This is not poetry,
but the writing of L. M. Montgomery is often very poetic prose – she, hardly
surprising, did write proper poetry as well – this one is appropriate for the theme.
So here are the
passages I was thinking about in the book:
One morning, when a windy golden sunrise was
billowing over the gulf in waves of light, a certain weary stork flew over the
bar of Four Winds Harbor on his way from the Land of Evening Stars. Under his
wing was tucked a sleepy, starry-eyed, little creature. The stork was tired,
and he looked wistfully about him. He knew he was somewhere near his
destination, but he could not yet see it. The big, white light-house on the red
sandstone cliff had its good points; but no stork possessed of any gumption would
leave a new, velvet baby there. An old gray house, surrounded by willows, in a
blossomy brook valley, looked more promising, but did not seem quite the thing
either. The staring green abode further on was manifestly out of the question.
Then the stork brightened up. He had caught sight of the very place—a little
white house nestled against a big, whispering firwood, with a spiral of blue
smoke winding up from its kitchen chimney—a house which just looked as if it
were meant for babies. The stork gave a sigh of satisfaction, and softly
alighted on the ridge-pole.
………
“…wondering whether she should hemstitch or
feather-stitch little Jem's "short" dresses. He was to be shortened
the next week, and Anne felt ready to cry at the thought of it.”
……….
Anne and Leslie had another cry the next week
when they shortened Little Jem. Anne felt the tragedy of it until evening when
in his long nightie she found her own dear baby again.
"But it will be rompers next—and then
trousers—and in no time he will be grown-up," she sighed.
"Well, you would not want him to stay a baby always, Mrs. Doctor,
dear, would you?" said Susan. "Bless his innocent heart, he looks too
sweet for anything in his little short dresses, with his dear feet sticking
out. And think of the save in the ironing, Mrs. Doctor, dear." When planning this petticoat I tried to find pictures of extant baby petticoats. I found two that would work well; one dated 1800-20, and the other dated 1860. They were very similar in construction, so I felt ok using the same design for the one I was making.
The petticoat has a simple bodice, with drawstrings at neck and waist. They tie in the back, where a thread button helps in keeping the bodice closed. The skirt is gauged to the bodice, with tiny pleats.
The bottom of the skirt has a deep hem and two tucks.
What the item is: Baby petticoat.
The Challenge: #18 Poetry in Motion
The poem: Passages from Anne’s house of dreams.
Fabric: Cut down from an old shift and petticoat of mine, originally made from sturdy old cotton sheets.
Pattern: None; I improvised from picures of period petticoats.
Year: Aiming for the 1840’s, but could pass for several more decades.
Notions: Cotton thread, cotton tape, thread button made by me.
How historically accurate is it? As good as I could make it without looking at an extant example in person. The materials are ok, as is the hand stitching.
Hours to complete: Difficult to say, as I’ve only had a few minutes here and there… 8-10?
First worn: For the picture.
Total cost: None at this time as everything came from the stash. The materials might have cost 50 SEK ($6,94; £4,31; €5,49) if bought at the charity shop today, and would have plenty left for other projects.
Labels:
1840's,
19th century,
children's clothes,
HSF,
living history,
period clothing,
poetry,
re-enactment,
sewing
Wednesday, 1 October 2014
Poetry - When Stretch'd on Ones Bed
I promise - there will be a sewing post soon! I just run into all these poems when trying to find one that may suit the mid 19th century baby petticoat I'm working on.... (Btw, if any of you have just the thing, please share!) This one struck a note, as I've had head aches on a regular basis since I was a young teenager, and knows how tough it can be.
"Idleness", 1810. British Museum nr. 1871,1209.5709
When Stretch'd on One's Bed
By Jane Austen
When stretch'd on one's bed
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!
How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.
How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.
How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.
Our own bodily pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.
With a fierce-throbbing head,
Which preculdes alike thought or repose,
How little one cares
For the grandest affairs
That may busy the world as it goes!
How little one feels
For the waltzes and reels
Of our Dance-loving friends at a Ball!
How slight one's concern
To conjecture or learn
What their flounces or hearts may befall.
How little one minds
If a company dines
On the best that the Season affords!
How short is one's muse
O'er the Sauces and Stews,
Or the Guests, be they Beggars or Lords.
How little the Bells,
Ring they Peels, toll they Knells,
Can attract our attention or Ears!
The Bride may be married,
The Corse may be carried
And touch nor our hopes nor our fears.
Our own bodily pains
Ev'ry faculty chains;
We can feel on no subject besides.
Tis in health and in ease
We the power must seize
For our friends and our souls to provide.
Subscribe to:
Posts (Atom)