A Peter Pan Costume

My Eldest just turned four. Before I had children I never really considered how important birthdays are to the parents, but now I couldn’t help but reflect on what have happened these four years, how sweet and adorable he was as a baby and toddler, and what a special little person he is today. I wonder what kind of man he will grow up to be, and hope I can guide and inspire him to always strive to be his best self.

Last week he had his first ever birthday party for others than family members, and a handful of children were invited. Having seen it on Peppa Pig (a huge favourite with both boys at the moment), he wanted a fancy dress party. He wished to dress as Peter Pan, and who am I to refuse a request on a costume?

I wanted to work from my stash, but had very little green fabric there. After considering for a bit I realised I had a green worn out knit top that had seen a lot of wear the past four years, as it provided easy access for breastfeeding babies.

I cut off the sleeves and turned them into trouser legs, with a gusset between them. In the end they reminded me a little of the Thorsbjerg trousers, but without feet. 

 

They are held up by an elastic at the waist.

For the tunic and cap I recycled an old cotton blend half circle skirt. The whole outfit was made with the measure-and-cut method, using one of Eldest’s t-shirts as a cutting guide for the tunic. As my sewing machine seem to have given up on life, I had to stitch the cap and tunic by hand, something I've been trying to stop doing, except with historical clothing. 

The cap is self-fabric lined for a bit of body. It has a “feather” made from some polyester-y fabric scraps, remains from when I made cushion covers a few years back. It’s stiffened with a piece of zip tie, and the edges of the two layers of fabric was then molten together over a candle. It makes a much more play friendly and endurable feather than a real one would have been, plus I already had the materials for it. The cap sits so well on the head that my boy can hold his head upside down without it falling off.

The tunic is cut on the bias, with pointed edges on both hem and sleeves. The collar is pretty standard, being made from two layers of fabric, and then top stitched. 

All the edges of the tunic were faced with narrow self-fabric bias tape, and all seam allowances folded in on themselves and neatly whip stitched.

When the costume was finished and it was time to try it on, Eldest said that he needed a belt, like Peter Pan has. I didn’t have one short enough for him, but a thin braided belt wrapped twice around his waist worked well. For the pictures he also wore his medieval shoes – they are already on the small side, he’ll need new ones next year. The costume on the other hand is a bit too large, so he can use it for a long time.

He was really happy with how the costume came out (though pretending to be angry in the above picture), and I couldn’t have been given greater praise than his happy and excited face when he tried it on.

A Working Class Empire Dress

Before last week, I’d never made an Empire/Regency dress. Imagine that. I love the period, but for some reason I felt intimidated by them, which is funny, as I’ve made lots of far more advanced and complicated things. Mind, I have made a shortgown, which is basically the same thing, only, well, shorter. But I’m rambling.

Picture by Pernilla Leijonhufvud

Recently I was invited to attend a small event at a local museum, and though I could have whipped up a petticoat to use with said shortgown, I really wanted a dress. I had a cotton fabric with an almost handwoven look to it that I wanted to use. That would work well, as I wanted to portray the housekeeper of the middle class house we were to be in. The stripes reminded me of the ones in ordinary Swedish women's extant dresses from the period. They were quite often made from linen/wool, but cotton is also represented.

Just two problems: the fabric only measured 150x210 cm, and I only had one week in which to make the dress. That’s one week where cutting, fitting and sewing had to be completed around all the things stay at home parents of little children do.

I used the pattern I drafted for the shortgown as a starting point, but changed it into a drop front. And then it was the cutting. I only had two rather short skirt lengths of fabric, and both bodice and sleeves had to come from the two pieces on either side of the shaped front skirt panel. As it is cold this time of year, I wanted long sleeves, or things would have been much easier. This is indeed a little sister of The Insanely Pieced Dress I made a few years ago:

The bodice back is made from two pieces, picture of that further down. The bodice fronts are made from 4 pieces each:

 The bodice “bib” is made from three pieces:

 

The sleeves are made from 4 and 6 pieces respectively, not counting the bias strips at the wrists:

In the end these are all the scraps that were left:

Naturally I hand sewed the dress, using waxed linen thread (unbleached where it wouldn’t show, and brown for the rest) and period stitches. I lined the bodice and sleeves of the dress with unbleached linen. I might not have lined the sleeves had not all that piecing in them needed some protection from wear. 

I did my best to make the direction of the stripes follow the bodice as seen in extant dresses, and am rather happy with how it came out. 

The bib is pinned in place with reproduction brass pins. I put a pleat near each end of the bib to make it shape itself around the bust nicely. I still haven’t decided if I’ll stitch them down to make darts or leave them as they are.

The sleeves are pleated at the back of the shoulders, and are full enough at the wrists to pull on without any closures. A tuck at the elbow (seen above in the picture of the piecing) provide a little extra room for movement. The bias strips are decorative, but their primary function is adding well needed length. The sleeves are still slightly too short, but they will do.

The skirt is smooth in front, and the ties on the front part of the skirt runs through stitched bars by the back seams, and then ties in front, under the skirt.

The skirt is cartridge pleated in the back. A small pad prevents the skirt falling in at the small of my back, and also supports the ties of the skirt front and any apron that might be worn. I added tapes to the inside of the bodice back to tie in the front, as I didn’t think the bodice lining did a good enough job to keep the bodice back tight to the body. The fine white cotton ties are too fine for this kind of dress – it was still a rather fancy material here in Sweden – but it’s what I had at hand. At least they won’t show. 

I faced the skirt hem with a cotton/linen tape I wove a couple of years ago – facings are brilliant when you don’t really have any skirt length to sacrifice on hems, and it’s a period way to finish them. The tape too is pieced – it was initially used as 18^th century style ties in a hobbit skirt, and are in four pieces.

 

In the end I managed to get the dress wearable in time for the event, if not completely finished, hence the mitts in some of the pictures - the sleeves were not yet hemmed. Now however, it’s all done!

 Picture by Pernilla Leijonhufvud

I really like how it came out, and enjoy wearing it. Now I'm really keen to make more Empire dresses. The pictures with the mitts are from the event at the museum, the ones without were taken today, when the weather finally allowed me to document the finished dress.

I haven’t had time to participate in the HSM for a while, but this dress fit the last challenge of the year.

The Challenge: # Re-Do

What Challange/s are you re-doing?: # 2 Blue (the dress has a lot of blue in it), # 3 Stashbusting (everything came from my stash), # 5 Practicality (it is very much a dress to work in), #6 Out of Your Comfort Zone (first time making a dress of this period), # 10 Sewing Secrets (lots of almost invisible piecing).

Fabric: Rather heavy weight, plain weave cotton and linen.

Pattern: My own.

Year: 1810’s.

Notions: Two kinds of linen thread, three kinds of cotton or cotton/linen tape, cotton batting.

How historically accurate is it? Pretty much. Materials, pattern and sewing is rather good.

Hours to complete: Difficult to say… estimated somewhere between 25-30 – the piecing took quite a bit of time to get nice.

First worn: For a small museum event last Saturday.

Total cost: Nothing at this time, as everything came from my stash. The main fabric and the brown linen sewing thread were originally a gift, the linen fabric was left over from a previous project, and two of the tapes were recycled from other clothes.