Now, it took some courage for me to post this picture,
as my heavy upper arms are a sore spot with me. Be kind.
The petticoat is made from bleached linen, a bit on the coarse side, and a bit too loosely woven to be perfectly period, but it’s what I had in my stash. I didn’t have very much of it, so the petticoat ended up slightly shorter than I’d have wished, but still within what’s acceptable for the period, and it does the job. I made it with the measure and cut method, as it’s so simple it doesn’t require an actual pattern. The front is cut as a shaped panel to fit the raised waist from side to side and widens towards the hem.
The back is cut in two straight panels with a
seam down the back. It would have been more period to have the back cut in one,
with a slit cut in the fabric for the back opening, but I had to piece the back
to make it wide enough.
I used the books Kvinnligt Mode Under Två
Sekel by Britta Hammar and Pernilla Rasmussen and Skräddaren, Sömmerskan
och Modet by Pernilla Rasmussen to decide what stitches to use, as they
describe several Swedish extant garments and seam methods in great detail. The
skirt is stitched together with running stitches and a back stitch every inch
or so. The seam allowances are folded over and stitched to the joining seam, as
seen in several extant dresses in these books. As I didn’t want to lose any more skirt length
than necessary, I decided to use the selvedge of the fabric for this. The
selvedge sticks out a little bit, compensating for the narrow hem I had to fold
back, and hemstitched to it. The selvedge is then folded down on the inside and
hemstitched in place. It gives a very neat look, almost like a woven tape being
used. There are examples of cut off selvedges being used to hem skirts among
the lower sorts on the Swedish countryside though, so it’s not completely taken
from my own head.
I folded the upper part of the skirt down
about a centimetre, and made two rows of gathering stitches in the back. I then
pinned the skirt to a waistband (a straight piece of linen folded in half),
putting a pleat in each side to give room for the hips, and drawing up the
gathering threads to make shallow cartridge pleats. Skirt and waistband where
then whip stitched together. I finished the waistband with running stitches
along the upper edge. The waistband is almost on the wide side, but that was a conscious
choice to add that extra little bit of length.
For shoulder straps I cut two straight pieces
of linen, folded them in half and sewed a row of running stitches along each
side. I pinned them in place, tried the petticoat over the proper underpinnings,
and adjusted them until I was happy with the fit. After taking it off, I made
sure both sides matched, and stitched the shoulder straps to the inside of the
waistband.
For closure I decided on ties. I had cotton
tape at home, so that is what I used. Silly enough, the waistband turned out too
large (the result of me being lazy and not putting on the stays before
measuring for it), and I didn’t feel like unpicking it, so I made an eyelet for
one of the ties to go through, and I can let the ties wrap around to tie in
front instead, making the petticoat adjustable in size. A dress in Costume
in Detail by Nancy Bradfield has that feature, so I decided it was
acceptable.
In the pictures I have tied the tapes under the petticoat, but if I put
the tape through the eyelet from the inside and out I could tie the tapes on
the outside instead.
I'm wearing the petticoat over a linen shift and 1810's style stays.
I'm wearing the petticoat over a linen shift and 1810's style stays.
So, while it’s no fancy sewing, at least it’s
historical. I’m back, people!