There are a few caps in museums, but they are all fancy caps, made from silk ribbons and blonde lace, and that doesn’t fit my social position. The case is the same if you look at fashion plates of the time. Most paintings and photographs show the frills of the cap framing the face, but I managed to get a couple of side view pictures. Also, they showed women of my class, servants and upper lower/lower middle class women.
Detail of The Bottle, plate II by George Cruikshank, 1847.
Servants Gossiping, 1849.
This is what I came up with. The pattern needs some tweaking before I’m completely satisfied with it, but for a trial run it’s good enough, and perfectly wearable. I might add ties to it though, pretty ones that will be decorative when hanging loose.
The fabric is thin cotton, woven in stripes. The cap is constructed in four pieces, the front, crown, and flounces folded lengthwise to make them double on each side. Piping is sewn in between the front and crown, as it is pretty and also prevents the cap from stretching out of shape.
Drawstrings beginning at the same place as the top of the frills and tying at the nape of the neck makes the cap fit properly. Of course it’s hand sewn – sewing machines wasn’t common in the 1840’s, and even if they were, a cap is too delicate to look good with clumsy machine sewing.
That is soooo beautiful. Wow. I am always stunned at the simple perfection of everything you make. This cap is exquisite.ReplyDelete
Very pretty, so well fitted!ReplyDelete
LOVELY! My goodness, it looks so wonderfully authentic and simply...pretty! :) I love the frills!ReplyDelete
Thank you ladies! I could wear it all the time, it's so comfortable ;)ReplyDelete
So sweet! I like your blog, Sarah! Hugs! xReplyDelete
I love the cap!ReplyDelete
I tried to make a couple of caps a few months back... it was a total disaster if i do say so myself.
How lovely! You look beautiful in it!ReplyDelete